CERVANTINA – CNTC and Ron Lalá
MAX AWARD FOR BEST MUSICAL 2017
AUDIENCE AWARD – INTERNATIONAL FESTIVAL FIOT CARBALLO 2016
AUDIENCE AWARD FOR BEST SHOW – THEATRE FESTIVAL OF CARTAYA 2016
PREMIERE
14 January 2016 at Comedia Theatre, Madrid.
SYNOPSIS
Cervantine is Ron Lalá’s latest approach to the creative world of the greatest author in the Spanish language. An assortment of texts, verses, versions and diversions from the work of one of the indisputable geniuses of universal literature.
A fiesta of brief pieces that brings together on stage the “ronlalesque” adaptations of some
exemplary novels and entremeses, along with fragments of lesser known pieces such as The Trials of Persiles and Sigismunda, Galatea and Journey to Parnassus. A tribute to and an encounter with the lucid, playful, hilarious and profoundly human art of the
author of Don Quixote… among other masterpieces that must urgently be rediscovered.
A celebration of the best Cervantes, eternal and familiar, with a flavour of the unmistakable Ron Lalá touch.
After the resounding international success of Somewhere in Quixote, the company is taking another step in its exploration of the Cervantine literary world, using the tools of its stage language: humor, poetry, manic rhythm, live music… An open, audacious dialogue that will infect spectators with the intelligent, sensitive, hearty laugh of Miguel de Cervantes.
A fiesta of brief pieces that brings together on stage the “ronlalesque” adaptations of some
exemplary novels and entremeses, along with fragments of lesser known pieces such as The Trials of Persiles and Sigismunda, Galatea and Journey to Parnassus. A tribute to and an encounter with the lucid, playful, hilarious and profoundly human art of the
author of Don Quixote… among other masterpieces that must urgently be rediscovered.
A celebration of the best Cervantes, eternal and familiar, with a flavour of the unmistakable Ron Lalá touch.
After the resounding international success of Somewhere in Quixote, the company is taking another step in its exploration of the Cervantine literary world, using the tools of its stage language: humor, poetry, manic rhythm, live music… An open, audacious dialogue that will infect spectators with the intelligent, sensitive, hearty laugh of Miguel de Cervantes.
Cast in order of appearance:
Cañizares / Musician / Carrizales / Patient / Secretary / Doctor / Monipodio –
Juan Cañas
Leonora / Musician / Don Juan / Patient / Doctor / Rinconete – Miguel Magdalena
Carducha / Cervantes / Musician / Father / Tailor / Labourer / Maidservant / Doctor / Muleteer / Maniferro / Cariharta – Álvaro Tato
Preciosa / Musician / Loaysa / Gypsy / Patient / Doctor /Cortadillo – Daniel Rovalher
Muse / Musician / Technician / Maidservant / Chief Magistrate / Patient / Doctor / Sacristan / Chiquiznaque / Repolido / Apollo – Íñigo Echevarría
Literary direction: Álvaro Tato
Musical direction: Miguel Magdalena
Costume design: Tatiana de Sarabia
Lighting: Miguel A. Camacho
Stage design: Curt Allen Wilmer
Musical composition and arrangements: Ron Lalá
Version: Ron Lalá
Direction: Yayo Cáceres
Set construction: PROES (books, sliding platforms and fanspot)
SFUMATO (curtain design and installation)
IDEOGRAPHIS (printing of manuscripts)
MUNDO (Cervantes’ table)
Costumes: Alejandro Jaén, Maribel Rodríguez and María Calderón (dyes)
Costume assistant: Arantxa de Sarabia
Lighting technician: Diego Domínguez
Direct Sound: Eduardo Gandulfo
Movement workshop: Mar Navarro
Boxing workshop: Gonzalo Kindelán and Primo José
Poster photo / Audiovisuals: David Ruiz
Educational material: Julieta García-Pomareda and Julieta Soria
Executive production: Martín Vaamonde
Press: María Díaz
Social Media: Ron Lalá
Distribution: Emilia Yagüe Producciones
Administration: Juan Cañas
Logistics: Daniel Rovalher
Production design: Ron Lalá / Emilia Yagüe
Manager: Íñigo Echevarría
Duration: 90′
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